In 1974, Genesis released The Lamb Lies Down on Broadway, their ambitious sixth studio album and the last to feature frontman Peter Gabriel. Widely regarded as a landmark in progressive rock, this double album has divided fans for decades while cementing its place as a timeless classic.
Often called “Gabriel’s baby,” The Lamb is a surreal concept album that tells the bizarre tale of Rael, a graffiti artist living in New York City, and his strange journey through a dreamlike underworld. With themes of identity, transformation, and self-discovery, the album showcases Gabriel’s visionary storytelling alongside Genesis’ signature intricate instrumentation.
Tracks like “In the Cage,” “Carpet Crawlers,” and the title track are now fan favorites, blending emotive lyrics with experimental sounds. The album’s narrative, however, left some listeners puzzled, and even band members admitted to struggling with Gabriel’s dense storyline. Keyboardist Tony Banks later remarked on the challenge of interpreting Gabriel’s vision, while guitarist Steve Hackett praised its daring creativity.
Despite internal tensions during its creation, The Lamb Lies Down on Broadway remains a defining moment for Genesis. It marked the end of Gabriel’s tenure with the band, as he departed








